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| Original design sketch |
First, glass of the right size was needed. The glass triptych panels were 5'-0" long, much larger than the glass we had in the studio. Getting large shipments of glass and then (successfully) cutting the glass would be a project into themselves!
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| Erwin Timmers and Tim Tate receiving the large pane of sheet glass. |
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| The glass is larger than the pair of work tables. |
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| Erwin Timmers preps the glass for cutting. |
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| The cutting crew: L-R Erwin Timmers, Michael Janis, Audrey Wilson. |
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| Audrey working on the glass mold that is set up in the kiln. |
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| Audrey takes to working outdoors to do the wet grinding. |
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| Erwin Timmers and Tim Tate being installing the panels into the steel framework. |
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| Artists Tim Tate and Erwin Timmers stop for a chat about the glass artwork. |
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| The finished work from inside the Aqualino Cancer Center chapel. |
A great note to end the story of the process of the artwork!












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