|Sean Hennessey, "Pool of Tears" detail, kilncast glass, paint, integrated video. 24"x12"|
Sean Hennessey creates sculptures in glass and concrete that are narratives based on mythologies, religions, personal experiences and whimsy. By using imagery of common and slightly nostalgic items Hennessey tells narratives of hopes and dreams, and of memories and transformations.
of the unique Berea
College, Sean worked in
professional theater for 10 years as a welder, carpenter, rigger, scenic
artist, prop artist, and designer all the while creating his own artwork. Sean
has been with the Washington
since 2004 when Tim Tate finally convinced him that glass was cool.
|Sean Hennessey, "Killing Time and Times Revenge" (detail and full image), glass, concrete, found objects, paint, wood, integrated video components|
|Sean Hennessey reviews the cast glass panel fresh out of the kiln. After the annealed panel cools, Sean works the panel with concrete and paints.|
Hennessey’s sculptures are kiln formed slump cast glass panels that he trowels and paints with concrete and stains. His works have a feeling of relics, of archeology, and of the study of the past.
|Sean Hennessey "The Tweedles" (detail) kilncast glass, paint, EL panel lighting.|
24" x 12"
Said Hennessey of the new works being installed his solo show “I wanted to start with the fun, absurdist, creative stories of Lewis Carroll's tale, using my own imagery, visual language and loose interpretations, riddled with a personal take on metaphors and combine that with materials I have been using and with materials that are very new to me. The desire to include video and lighting in my work was the original impetus for this project”.
“I equate the concrete with the realities of earth, and
life, and the shell that we use to protect ourselves from exposing our soul to
the world" Hennessey said his use of unusual medias not normally associated with fine art. "I've been combining glass, paint, steel, wood, concrete,
found objects, stencils, LED's,
electroluminescent lighting (EL) and video. All the fun stuff."
|Sean Hennessey "Finding The Right Key" (detail) kilnfired glass, concrete, paint, EL panel lighting.|
|Sean Hennessey, "Pool of Tears" (with image detail), kilncast glass, paint, steel, wood, integrated video component|
The series was funded, in part, from a grant Hennessey received from the District of Columbia's Commission on the Arts and Humanities and will be hosted by the architecture firm Weibenson and Dorman in the 410 Goodbuddy Gallery.
Hennessey is one of the artists involved in the renovation of the entry doors of the Library of Congress’ Adams Building by the Architect of the Capitol, now under production. One of the East Coast’s leading mold makers, Hennessey has been taking castings of the landmark’s historic bronze doors as part of the process in translating the relief sculptures into cast glass for the building entry.
Sean Hennessey: Reimagining Alice
A MixedMultimedia Series Based On Alice In Wonderland
September 28th - October 26, 2012
September 28th - October 26, 2012
Opening Reception Friday, September 28th, from 5-8 PM
410 Florida Avenue, NW, Washington, DC
410 GooDBuddY is an exhibition space can that can be used by a single artist to exhibit their works. It is within the FRINJ neighborhood of Washington, DC, and is partially provided by Wiebenson & Dorman Architects whose studio is located in the same building.