Fuller Craft Museum, Brockton, Massachusetts
New England’s only museum of contemporary craft presents A Lighter Hand: The Glass Drawings of Michael Janis, on display Aug. 6 - Nov. 6, 2011.
One of the new works Michael has made for the exhibition is a site-specific sculpture that measures 8'-0" and will be installed in floor to ceiling window of the exhibition space.
Michael Janis Unpredictable Factors
3'-0"W x 8'-0"H x 4" fused glass, glass powder imagery, steel
Michael Janis Unpredictable Factors (detail)
3'-0"W x 8'-0"H x 4" fused glass, glass powder imagery, steel
From the Fuller Craft Museum press release:
,,,"Janis’ work is the result of a laborious and challenging process. Similar to sgraffito, where a design is scratched through a colored ground revealing another color beneath; to produce the image Janis sifts black glass powder onto sheet glass, scraping away the powder to produce the detail. The image is suspended between layers of sheet glass and fired in a kiln to fuse the constituent pieces together. In this manner any number of images can be combined to produce complex juxtapositions. The result is a collage produced entirely in glass, built from a time-consuming process allowing for an extended contemplation of his subjects.
Building on the legacy of Surrealist artists of the early 20th century, in particular Giorgio de Chirico whose paintings juxtaposed disparate objects in moody and indistinct landscapes, Janis is able to construct a contemplative feeling from the layering of seemingly inanimate objects and ambiguous characters. His images in glass, particularly those examples in a tall and narrow format, also allude to the narrative quality of stained glass.
The juxtaposition of text, symbols, and figures seem to imply a hidden message or meaning, but like an ink blot or word association Janis leaves the viewer to provide their own conclusions.
Janis lives and works in Washington, DC, where he is Co-Director and an instructor at the Washington Glass School. He first began working with glass as an architect, evident in his dedication to sheet glass and the precision draftsmanship in his drawings.
Fuller Craft will celebrate the opening of A Lighter Hand, with a public reception August 7 at 2 p.m. at the Museum. The reception is free for members and free with museum admission for all others."
A lecture by Michael Janis precedes the public reception - click HERE for more information.
Building on the legacy of Surrealist artists of the early 20th century, in particular Giorgio de Chirico whose paintings juxtaposed disparate objects in moody and indistinct landscapes, Janis is able to construct a contemplative feeling from the layering of seemingly inanimate objects and ambiguous characters. His images in glass, particularly those examples in a tall and narrow format, also allude to the narrative quality of stained glass.
The juxtaposition of text, symbols, and figures seem to imply a hidden message or meaning, but like an ink blot or word association Janis leaves the viewer to provide their own conclusions.
Janis lives and works in Washington, DC, where he is Co-Director and an instructor at the Washington Glass School. He first began working with glass as an architect, evident in his dedication to sheet glass and the precision draftsmanship in his drawings.
Fuller Craft will celebrate the opening of A Lighter Hand, with a public reception August 7 at 2 p.m. at the Museum. The reception is free for members and free with museum admission for all others."
A lecture by Michael Janis precedes the public reception - click HERE for more information.
The Fuller Museum is located at 455 Oak Street, Brockton, MA 02301
1 comment:
What a wonderful outline describing mounting glass work and drawings to boot. I am very impressed at your sharing and wish I had more support to show my glass. Can you send information on how to get your frame work and costs made etc. This is something I have not been able to do hear in Tasmania, as the cost is so high. I was able to work at the university when doing my masters on the metal but now home a long way from facilities I have nothing to help me out with mig-welders etc, and do not feel I can do a good job now as I am concerned that my glass is fragile and needs expert designs to mount up the work. I have the designs but not the skill to make them. I was hoping to get a metal artist to make these hoping that I could pay fore them when sold. Do you know if this is possible as I am broke and my home is full of Glass Art work that has not been exhibited.
Cheers,
Sarah King
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